Alicia Hall Moran stars in Carrie Mae Weems "Grace Notes Reflections for Now" | ART21 "Exclusive"
Collaborations & activities clipboard.
TWO WINGS: the music of Black America in Migration
<--in progress and under construction-->
Carnegie Hall, 2019
BLACK WALL STREET
National Sawdust, Tulsa, Oklahoma City, New Mexico, Harlem/Schomburg Center for Research in Black Culture, River To River: Federal Hall/Wall Street
BREAKING ICE: THE BATTLE OF THE CARMENS
MASSMoCA, Protoype Festival: HERE/Beth Morrison Projects
THE FIVE FANS
by Alicia Hall Moran, Artist-in-Residence 2015-2016
Commissioned/premiered by National Sawdust
October 19 (Part 1), January 11 (Black Wall Street); May 19 (The Ice Project/Battle of the Carmens); HEAVY BLUE record release; various collaborations.
the motown project
by Alicia Hall Moran, commissioned by The Kitchen, New York (Curator: Rashida Bumbray)
Premiered at The Kitchen.
Also seen at... (Le)Poisson Rouge (produced by Alexa Birdsong); Regattabar (produced by Jill Newman Productions); Harlem Chamber Players (produced by Liz Player); The Whitney Museum/BLEED (Curators: Elisabeth Sussman & Jay Sanders); WCU Poetry Conference (Director: Kim Bridgford); and The Highline Ballroom (VIDEO) (Jill Newman Productions).
DUO w/GUITARIST BRANDON ROSS: "AiR, Alicia intersection Ross" WINTERJAZZ FEST, Isabella Stewart Gardner Museum/Boston, The Whitney Museum/BLEED, National Sawdust , Miami Art Basel, The Stone, etc.
w/THE CHARLES LLOYD NEW QUARTET
Kennedy Center, Jazz at Lincoln Center, Metropolitan Museum of Art, Wesleyan University
CHARLES LLOYD: Arrows Into Infinity (a film, directed by Dorothy Darr)
TRIO w/GUITARIST BILL FRISELL + PIANIST JASON MORAN
Jazz Middelheim/BELGIUM, Jazz at Lincoln Center also feat. Sam Amidon, The Stone, The KC Jazz Club/Kennedy Center also feat. The Bandwagon
Major work by VISUAL ARTIST ADAM PENDLETON
The Revival, for PERFORMA07; Triptych: Prayer/Protest/Peace, 2010; three scenes variation one, for The Isabella Stewart Gardner Museum (2010); three scenes variation two, with Lorraine O'Grady, for BLEED/The Whitney Biennial; FRIEZE Projects 2017, etc.
Major work by VISUAL ARTIST SIMONE LEIGH
Breakdown (a film by SIMONE LEIGH & LIZ MAGIC LASER)...NEXT AT MIAMI ART BASEL CINEMA SOUNDSCAPE
Freed but not free (live performance for Open Society Foundation. Text by SHARIFA RHODES PITTS. Curator, RASHIDA BUMBRAY)
Major works by CARRIE MAE WEEMS
Slow Fade To Black (film for Celebrate Brooklyn + The Guggenheim Museum)
Grace Notes (Spoleto Festival, Yale Repertory Theater, Kennedy Center for the Performing Arts)
Major work by JOAN JONAS, Reading Dante (live performances at The Performing Garage; The Fabric Workshop); Mirror Piece (live performance, Guggenheim Museum)
Major exhibition by WHITFIELD LOVELL
Deep River (exhibition soundtrack). "Fan Piece 2" is image for The Five Fans, courtesty of the artist.
A Reading: 'Makandal' by Carl Hancock Rux @ The Gatehouse/HarlemStage and @ Guggenheim Museum
A Reading: 'The Little Princess' by Andrew Lippa @ 54 Below
+ my first big role in New York, I played Marian Anderson in Things of the Heart: The Marian Anderson Story by Shauneille Perry, directed by ELIZABETH VAN DYKE) for New Federal Theatre/Henry Street Playhouse and the Bermuda International Arts Festival. Also my first review, by The Royal Gazette.
DECADES OF PROJECTS WITH PIANIST JASON MORAN
...and underlying all that, The Bandwagon U.
WORK SONGS for the 56TH VENICE BIENNIAL (Curator: Okwui Enwezor) by Jason Moran & Alicia Hall Moran, featuring DEDICATED SOLO+DUO LIVE RE-PERFORMANCES IN VENICE by Rashida Bumbray, Malik Gaines, Phumzile Sojola, Andrea Jones-Sojola, Roosevelt André Credit, Jamet Pittman, Steven Herring, LaTasha N. Nevada Diggs, Anthony Mills, Lisa Harris ON THE ARENA STAGE (Architect: David Adjaye)
...but before that
BLEED for the 2012 WHITNEY BIENNIAL
JASON MORAN & THE BANDWAGON: FEAT. BASSIST TARUS MATEEN & DRUMMER NASHEET WAITS
stops worldwide including The Village Vanguard, Blue Note Tokyo, Other Minds Festival/San Francisco come to mind as major. The Kennedy Center, Jazz Gallery (my first jazz club, I think), The Whitney Museum, Jazz Saalfelden, Jazz Middelheim, Houston DaCamera, etc.
...and many recitals. But the first major piece, was, I believe
Milestone, Walker Art Center. Re-presented by DaCamera Society/Houston, New Haven Festival of Arts & Ideas.
The Quilts of Gee's Bend (audio) commissioned by Philadephia Museum of Art, re-presented at DaCamera of Houston; Kennedy Center; Village Vanugard NYC; BLEED/Whitney Museum of Art. Tons of fundraising galas, lectures, masterclasses and celebrations for arts institutions and schools we admire, alone and together.
BILL T. JONES/ARNIE ZANE DANCE COMPANY: Chapel/Chapter WORLD TOUR (Premiered at Harlemstage, New York City)
w/GUITARIST TOSHI REAGON for WOMEN IN JAZZ FESTIVAL @ Schomburg Center for Research in Black Culture
w/GUITARIST MARY HALVORSON
w/COMPOSER BRETT SROKA for Sine Non Qua
w/AUTHOR & HISTORIAN SIMON SCHAMA: Rough Crossings HarlemStage; Symphony Space
w/PIANIST JOSEPH JOUBERT
w/PIANIST GILD GOLDSTEIN
and with PIANIST WARREN WILSON (rest in peace)